Fujairah International Monodrama Festival's Committee Holds Second Meeting To Finalise 2025 Plans

The Fujairah International Monodrama Festival 2025 is set to take place from 10th to 18th April, under the theme "Fujairah is an Open Stage." The consultative committee recently convened for its second meeting to discuss preparations. Mohammed Saeed Al Dhanhani, Director of the Emiri Court in Fujairah and Chairman of the Festival, led the meeting where several work committees were established.

During the meeting, Al Dhanhani announced a new initiative aimed at producing monodrama performances by Arab theatre artists. The committee also suggested selecting a notable international figure as the festival's personality. Additionally, plans are underway to sign a cooperation agreement with the Paris-based International Theatre Institute (ITI).

The festival has become a significant gathering for theatre artists, experts, and institutions worldwide. Organised biennially by the Fujairah Culture and Media Authority, it aims to elevate monodrama in both Arab and global theatre scenes. The event seeks to create favourable conditions for developing this intricate art form while supporting young talents.

The festival provides a platform for theatrical performances that adhere to high artistic standards. It encourages growth by featuring numerous monodrama acts from the UAE, Arab countries, and beyond. Alongside these performances, applied seminars and educational panel discussions are held to enrich participants' experiences.

By fostering an environment conducive to artistic development, the festival plays a crucial role in advancing monodrama. It supports talented individuals capable of pushing this sophisticated art form forward. Through diverse activities and events, it continues to be a pivotal event in the theatre community.

The upcoming edition promises to further solidify its status as a key event for theatre enthusiasts globally. With its focus on collaboration and innovation, it aims to leave a lasting impact on both participants and audiences alike.

With inputs from WAM