Inaugural Al Ain Camel Racing Festival Launches At Al Rawda Camel Racetrack Tomorrow

The Al Ain Camel Racing Festival is set to begin at the Al Rawda Camel Racetrack in Al Ain on Friday, 4th July. This event is organised by the Presidential Camels and Camel Racing Affairs Centre under the directives of President His Highness Sheikh Mohamed bin Zayed Al Nahyan and the patronage of H.H. Sheikh Hazza bin Zayed Al Nahyan, Ruler's Representative in Al Ain Region.

Supervised by the Camel Racing Federation, this festival aims to promote camel racing as a sport deeply embedded in UAE culture. The event will unfold over three preliminary rounds scheduled for July, August, and September. A total of 605 races will take place, including competitions with trophy awards for various age groups.

A final round of challenges is planned for early October 2025. Throughout the festival, substantial prizes will be awarded to riders and participants, enhancing engagement and competition within the sport.

Sheikh Sultan bin Hamdan Al Nahyan, Advisor to His Highness the President of the UAE and Chairman of the Camel Racing Federation, expressed pride in launching this inaugural festival. He praised the wise leadership's support for preserving national heritage and acknowledged H.H. Sheikh Hazza bin Zayed Al Nahyan's generous patronage.

He emphasised that this festival marks a strategic step forward in developing camel racing in the UAE. It encourages participation from owners, especially young people, ensuring that Emirati heritage is sustained and passed down to future generations.

Reinforcing Emirati Identity

The festival not only highlights camel racing but also reinforces Emirati identity by showcasing a commitment to cultural roots. It serves as a testament to the nation's dedication to preserving its rich traditions and heritage.

The event stands as a significant cultural occasion, reflecting both historical significance and contemporary relevance within the UAE. By promoting such events, the nation continues to celebrate its unique cultural identity while engaging new generations in traditional practices.

With inputs from WAM